$16.95 - For any instrument: fiddle, violin, piano, accordion, guitar, banjo, flute, etc.

A description of the book:

by Ryan J. Thomson, 86 pages, 8.5" by 5.5", spiral bound, ISBN 0-931877-20-2 This book contains an amazing amount of useful information for rank beginners and advanced pros alike! I extracted and condensed the good stuff from 15 other dull and dry music theory books and put it all into this one volume. I meant it to be for folk musicians but my classical and jazz music friends tell me that it works well for them also! A quote from a classical friend, "After reading your book, now I know what they were trying to teach me in my college music theory class! I wish my teacher could have explained it this clearly."

Topics: There are many many illustrations, charts, and diagrams so that someone can easily just look up the answer to a question without having to understand music theory. Thus the book can be used like a dictionary or reference source. For those who like a deeper understanding, every concept is explained in a gradual, easy to read, and friendly manner about: forming chords, modes and scales, key signatures, circle of fifths, intervals, transposing, musical notation, basic music theory, consonance and dissonance, sharps and flats, rhythms, how different folk instruments can play in some keys and not others, scale notes for every key, notes for every chord type, tuning, and much much more! $16.95 Secure Online Payment. Free shipping within the USA

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Reviews:

Fiddler's Crossing: "Fiddler's Crossings's resident theory dunce found this book quite helpful in clearing away the fogs of mystery surrounding these topics. The fact that it was written by a fiddler made it easier to understand, and it is written as if you were starting from the very beginning. A very helpful book."

Dirty Linen Folk, Traditional, and World Music: "This little gem of a book is perfect for those who may be just learning to play an instrument and wish to find an easily accessible way of understanding the theory and structure behind the music. The book essentially makes it easier for anyone interested in playing folk music either alone or in a group to understand what they are playing and why. Ryan Thomson presents discussions on chord structure, scales, keys, transposing, time signatures, and much more. It's a good start for someone new to music and a good refresher for others who were discouraged with a heavy handed approach to music theory. Thomson writes in a casual logical style and adds plenty of easy to decipher diagrams."

Ex Libris NH Writers and Publishers Project: "As the wife of a musician, I have spent countless hours listening to various musicians and would-be musicians jam in my living room or garage. Ryan Thomson's book is a great resource for aspiring performers who are serious enough to look past the jam session. With user friendly text, simply drawn graphics and an unabashed enthusiasm for music, Thomson adresses (among many other things) the complexities of chords, how folk instruments are related by keys, and the uses of the capo - and in less than 100 pages. As the author of nine other books on music and an acomplished player himself, Thomson is more than qualified to lead."

Edward Greenberg , San Jose, California: "This is a small spiral bound work that summarizes all the music theory that you need to know for folk music. It covers notes, keys, chords, circle of fifths and a whole lot more. I'm an autoharp player, and it's my main reference for all these topics. The book I reach for first."